Thread:Uskok/@comment-32559360-20180101224456/@comment-996391-20180103141643

The look and shape of the filming locations is irrelevant here. The filming locations don't represent themselves. They represent other locations, the locations in the film. As for Henry's map, while it would be logical to assume that the upper part shows north and the lower part south, there is no compass on the map, which means we can't know for sure which side is which. After all, the map was drawn by a child, and children's maps are not very accurate. That also means the peninsula and the bay on the map don't have to be as long as the real peninsula and the real bay. Henry's goal wasn't the peninsula. The peninsula wasn't so important to him. His goal was the center of a four-sided area whose points are the lighthouse, Port Royal, Skull Point, and Rackhams Kay.

I agree that it would be logical for Jack to drop off Henry and Carina away from prying eyes of the British authorities, but what would Elizabeth be doing in that same place, if she's living in Port Royal? And how would Henry, who has been separated from Elizabeth for months, and maybe even years, know that Elizabeth would be in that place at the same time when Jack is leaving him there? Also, if Elizabeth lives in Port Royal, why would Will anchor the Flying Dutchman in front of the lighthouse and not in the Port Royal harbour? And the official DMTNT novelization (p253) reveals that the place where Henry and Carina are standing is the same place where Will met with his wife and young son in the post credits scene in AWE.

One more thing. If Elizabeth's home and the lighthouse are not the same location, why did Jeremy Love make four artworks of the lighthouse and the surrounding area, and not a single artwork of Elizabeth's home?